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ReviewStudio International reviews Idris Khan: Absorbing Light
October 30 2017 Reflections on the horrors of one of Syria’s most famous prisons have driven Idris Khan to new forms of expression,... Read More -
Review
The Evening Standard recommends Idris Khan: Absorbing Light in the London Art Gallery Guide
October 17 2017 By Jessie Thompson What’s the show? Absorbing Light marks an important departure for Idris Khan, who is showing works in... Read More -
Review
Jackie Wullschlager reviews Être Moderne: Le MoMA à Paris, featuring Yayoi Kusama, in the Financial Times
October 11 2017 'Rarely loaned MoMA treasures on show in Paris reveal a provocative American identity.' Read More
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Review
Nick Compton writes about Idris Khan: Absorbing Light in Wallpaper*
October 4 2017 Idris Khan has built his reputation in multiple layers. He repeatedly scrawls or stacks images, creating hypnotic haunting palimpsests, buzzing... Read More -
Review
Mousse Magazine reviews Tal R: Sexshops
October 1 2017 By Nicholas Hatfull Hopping out of a black cab, a Hamley’s bag in each hand, a raspberry-corduroyed Tal R was... Read More -
Review
Hyperallergic reviews Njideka Akunyili Crosby: Predecessors at Contemporary Arts Center, Cincinnati
September 26 2017 Paintings That Manage to Focus Our Divided Attentions. By Sarah Rose Sharp We are saturated by media messaging. It stands... Read More
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Review
Frieze reviews Hernan Bas: Cambridge Living
September 15 2017 By Harriet Baker When the Detroit-based artist Hernan Bas arrived at Jesus College, Cambridge, for a period of research in... Read More -
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Hernan Bas: Cambridge Living reviewed in Time Out
September 15 2017 By Eddy Frankel Back before the war, a bunch of Cambridge students would climb up the city’s ancient buildings, sneak... Read More -
Review
Jenny Uglow reviews Grayson Perry: The Most Popular Art Exhibition Ever! for The New York Review of Books
September 6 2017 By Jenny Uglow The Outside-In Art of Grayson Perry Facing you as you walk into Grayson Perry’s show at Serpentine... Read More
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Review
Artforum reviews Isaac Julien: “I dream a world” Looking for Langston
September 4 2017 Isaac Julien at Victoria Miro By Himali Singh Soin When astronomers in fifth-century India conceptualized the zero, they gave the... Read More -
Review
Njideka Akunyili Crosby at Contemporary Arts Center, Cincinnati is featured in Artforum Critics’ Picks
August 24 2017 Njideka Akunyili Crosby CONTEMPORARY ARTS CENTER, CINCINNATI 44 E. Sixth Street July 15–October 1 Njideka Akunyili Crosby’s paintings exhibit both... Read More -
Review
Alice Neel, Uptown reviewed in The White Review
August 9 2017 Becoming Alice Neel. By Rosanna McLaughlin From the first time I saw Alice Neel’s portraits, I wanted to see the... Read More
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Review
Frieze reviews Alice Neel, Uptown
July 18 2017 By Orit Gat Alice Neel’s recognizable portrait style, with the canvas left raw at places and the subject painted frontally,... Read More -
Review
Imagine… Chris Ofili: The Caged Bird’s Song reviewed in The Telegraph
July 15 2017 ‘This was the story of a remarkable commission.’ – Jasper Rees Read More -
Review
Studio International reviews Isaac Julien: “I dream a world” Looking for Langston
July 6 2017 By Alexander Glover “Out of the little breath of oblivion that is night, take just one star,” said Langston Hughes... Read More
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This is tomorrow reviews Isaac Julien: “I dream a world” Looking for Langston
July 3 2017 By Joan Lee Isaac Julien made his entrance into the art world in the late 1980s with his seminal film... Read More -
Review
The Quietus reviews Tal R: Academy of Tal R at Louisiana Museum of Modern Art
June 24 2017 At the Louisiana Museum of Modern Art, in Copenhagen, Tal R's paintings and sculptures exhibit something of the emotive non-verbal... Read More -
Review
Milton Avery at Victoria Miro Mayfair reviewed in Apollo
June 23 2017 Milton Avery’s unique American modernism. By Matthew Sperling ‘Why talk when you can paint?’, Milton Avery (1885–1965) would say when... Read More
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Review
Grayson Perry: The Most Popular Art Exhibition Ever! reviewed by Waldemar Januszczak in The Sunday Times
June 11 2017 Waldemar Januszczak Art review: Grayson Perry at the Serpentine Gallery Grayson Perry was on telly the week before last. Again.... Read More -
Review
Apollo reviews Alice Neel, Uptown
June 9 2017 Mid-century Harlem through the eyes of Alice Neel. By Grace Banks In 1938 the Pennsylvania-born artist Alice Neel moved from... Read More -
Review
Grayson Perry: The Most Popular Art Exhibition Ever! reviewed by Rachel Campbell-Johnston in The Times
June 6 2017 The Brexit vases are the stars of the artist’s playful new Serpentine show, one of the most accessible exhibitions ever.... Read More
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Review
The Evening Standard reviews Grayson Perry: The Most Popular Art Exhibition Ever!
June 6 2017 In his unpretentious and witty way, Grayson Perry finds a visual language for Britain’s political climate in his beautiful new... Read More -
Review
Laura Cumming reviews Milton Avery in The Observer
June 4 2017 Effulgent in their gorgeous, low-toned palette of greys, mauves, greens and a whole range of pinks that are Avery’s trademark,... Read More -
Review
Hyperallergic writes about Concrete Poetry: Words and Sounds in Graphic Space, featuring Ian Hamilton Finlay
June 3 2017 An Eye for Words: Concrete Poets at the Getty Concrete Poetry focuses on the purists of the movement, particularly the... Read More
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Review
Rachel Campbell-Johnston reviews Alice Neel, Uptown in The Times
May 19 2017 A soul collector’s love letter to Harlem Rachel Campbell-Johnston is struck by the penetrating gaze of the great American painter... Read More -
Review
Jackie Wullschlager selects Chris Ofili: Poolside Magic as one of her Venice highlights
May 13 2017 ‘This delicate series about metamorphosis and transformation… is good enough to call to mind Picasso’s Vollard Suite.’ Read More -
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Artnews reviews Chris Ofili: Poolside Magic at Victoria Miro Venice
May 10 2017 ‘If you are in Venice right now, drop what you are doing and go see Poolside Magic, Chris Ofili's exhibition at the new space that London gallery Victoria Miro opened last night in San Marco.’ Read More
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Review
The Spectator reviews Chris Ofili: Weaving Magic
May 5 2017 His National Gallery show, Weaving Magic, is good news for those of us who like art that is lovely to... Read More -
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Chris Ofili: Weaving Magic reviewed in The Guardian
April 25 2017 ★★★★★ ‘Waterfalls and dancers, Maya Angelou and Mario Balotelli … Chris Ofili’s exotic reverie took five weavers three years to translate from watercolour to tapestry. The result plunges you into a heady over-ripe Eden.’ – Adrian Searle Read More -
Review
The Telegraph reviews Chris Ofili: Weaving Magic
April 25 2017 Chris Ofili - Weaving Magic, National Gallery: 'An irresistible pagan altar to art' ★★★★ By Alastair Sooke In a free... Read More
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Review
Time Out reviews Secundino Hernández: Paso
April 7 2017 ★★★★ By Eddy Frankel Build and destroy, that’s what Spanish painter Secundino Hernández does. He builds layers of paint on... Read More -
Review
Flash Art reviews Do Ho Suh: Passage/s
March 16 2017 By Michele Robecchi Do Ho Suh’s first solo exhibition at Victoria Miro coincides with his recent decision to relocate to... Read More -
Review
Caroline Douglas writes about Do Ho Suh: Passage/s in the Contemporary Art Society Friday Dispatch
March 3 2017 February is a short month – a blessing, perhaps – but that means that March is already running away with... Read More
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Review
Studio International reviews Do Ho Suh: Passage/s
March 1 2017 With the lightest of touches, artist Do Ho Suh can transform the architectural into a symbol of the transient –... Read More -
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The TLS reviews Do Ho Suh: Passage/s
February 28 2017 In-between spaces. By En Liang Khong In 1991, after arriving in the United States from Seoul, the artist Do Ho... Read More -
Review
House Work reviewed in The Quietus
February 25 2017 By Victoria Rodrigues O'Donnell House Work almost entirely features drawings and paintings. On display at Victoria Miro Mayfair, this is... Read More
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Review
Frieze reviews Do Ho Suh: Passage/s
February 23 2017 Do Ho Suh’s ‘Passage/s’ is a timely look at what it means to feel at home in a globalized world.... Read More -
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House Work reviewed in Time Out
February 13 2017 See what they did with the title? House. Work. It’s a bit like ‘housework’, except it’s in two parts, which... Read More -
Review
House Work is featured in the Guardian
February 8 2017 The booby-trapped bedroom, the mysterious mincing machine, the body under the patio … why the sudden spate of shows taking... Read More
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Review
Do Ho Suh: Passage/s Time Out's Show of the Week
February 3 2017 By Eddy Frankel His story probably isn’t that different to yours. Do Ho Suh was born in South Korea,... Read More -
Review
Martin Gayford reviews House Work in The Spectator
February 3 2017 …Home — though not in a way that has much to do with Bloomsbury linen chests — is also the... Read More -
Review
Dezeen reviews Alex Hartley: After You Left
December 6 2016 Modernist ruin in London canal provides a glimpse at an uncertain future. By Emma Tucker British artist Alex Hartley has... Read More
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Review
Alex Hartley: After You Left is one of Louisa Buck's London exhibition picks
November 26 2016 Alex Hartley: After You Left, Victoria Miro, Wharf Road (until 16 December) To my mind the best—and now most prescient—work... Read More -
Review
Time Out reviews Alex Hartley: After You Left
November 25 2016 Alex Hartley: After You Left ★★★★ By Eddy Frankel There’s a house in ruins in a swamp. Palm trees sway... Read More -
Review
Alex Hartley exhibition featured in Wallpaper*
November 22 2016 If we can count on anyone to wow us with spectacle it's British artist Alex Hartley. From the Arctic to... Read More
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Review
Artnet features Protest publication as one of its ‘Five Gorgeous Art Books’
November 22 2016 Victoria Miro’s “Protest ” group show at their Islington gallery this year proved timely in a year when people have... Read More -
Review
Maria Nepomuceno: Sim reviewed in Candid Magazine
November 17 2016 By Hannah Barton As the winter nights draw in closer, the opportunity to attend the private view of the Brazilian... Read More -
Review
Grayson Perry: The Descent of Man reviewed in The Guardian
October 23 2016 Grayson Perry’s timely, entertaining book explores how rigid masculine roles can destroy men’s lives. By Matt Haig It is a... Read More
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Review
Celia Paul: Desdemona for Hilton by Celia reviewed by Studio International
October 13 2016 In an exhibition dominated by self-portraits and seascapes, Celia Paul demonstrates the virtues of subtlety and perseverance. By Joe Lloyd... Read More -
Review
Njideka Akunyili Crosby: Portals featured in The Economist 1843 Magazine
October 10 2016 The Nigerian-born artist’s densely layered scenes of domestic life are surprisingly intimate for such large works. By Marion Coutts The... Read More -
Review
The FT reviews Njideka Akunyili Crosby: Portals at Victoria Miro
October 7 2016 Multifaceted collage of cultures By Harriet Baker For the Nigerian-born, LA-based artist Njideka Akunyili Crosby, home is a lot of... Read More
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Review
Alice Neel: Painter of Modern Life publication reviewed in The New York Review of Books
October 6 2016 The Soul of Alice Neel By Claire Messud More than thirty years after her death, the oeuvre of American painter... Read More -
Review
Conrad Shawcross: The Optic Cloak featured in Apollo
October 5 2016 London’s new landmark is a triumph of engineering By Melanie Vandenbrouck. Over the past few years, Conrad Shawcross has become... Read More -
Review
Stephen Willats: Vision and Reality publication reviewed in the TLS
October 5 2016 Estates of the Nation By Lynsey Hanley The artist Stephen Willats first came to English council housing not as a... Read More
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Review
Read Time Out’s four-star review of Protest
September 30 2016 By Lowenna Waters. Felt angry about anything recently? Of course you have, you’re human, and so are the 17... Read More -
Review
Isaac Julien writes in Garage Magazine about his own awakening to consciousness of the plight of migrant refugees.
September 28 2016 Especially for GARAGE, three Reprieve patrons (Julie Christie, Richard Rogers and Warner) contribute personal stories, while Reprieve founder Clive Stafford... Read More -
Review
Stan Douglas’ sumptuous film… read Laura Cumming’s review of The Infinite Mix in The Observer
September 18 2016 From Hitler’s Berlin to Kendrick Lamar’s Compton, the Hayward’s diverse fusion of 10 immersive installations offers a feast of sound... Read More
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Review
Celia Paul: Desdemona for Hilton by Celia reviewed in The Observer
September 11 2016 Pensive and radiating silence, Paul’s self-portraits are also alive with movement. By Laura Cumming. T he painter sits erect for... Read More -
Review
Njideka Akunyili Crosby at Hammer Museum and Art + Practice, LA, reviewed in Frieze
September 2 2016 Review 10 Dec 2015. By Kate Sutton. In 2009, the American soap star Victoria Rowell showed up to the Emmys... Read More -
Review
Alice Neel: The Subject and Me reviewed in the Financial Times
August 19 2016 Alice Neel exhibition in Edinburgh. By Rachel Spence. The US painter best known for her anguished portraits is given... Read More
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Review
Alice Neel: The Subject and Me reviewed in The Scotsman
August 13 2016 Alice Neel’s life on canvas gets first Scotland exhibition. By Susan Mansfield. In 1955, when America was in the... Read More -
Review
Yayoi Kusama: Sculptures, Paintings & Mirror Rooms reviewed on The Arts Desk
June 7 2016 Japan's queen of spots reigns in the garden of the imagination. By Marina Vaizey. Pure euphoria! The lady, a mere... Read More -
Review
Stan Douglas: The Secret Agent reviewed in Artforum
May 30 2016 Summer 2016, Stan Douglas. By Gilda Williams. 'A less amusing set of people never filled the imaginary world of a... Read More
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Review
Stan Douglas: The Secret Agent reviewed in the Guardian
February 4 2016 Stan Douglas: The Secret Agent review – the spy who came in from the heat. By Sean O'Hagan. A multiscreen... Read More -
Review
Ian Hamilton Finlay | 1789 1794 reviewed in Artforum
October 1 2015 Ian Hamilton Finlay. By Richard Taws. The French Revolution was a recurrent theme in Ian Hamilton Finlay’s protean career as... Read More -
Review
Idris Khan: Beyond the Black reviewed in Artforum
January 2 2014 Idris Khan. By Zehra Jumabhoy. This season, black is the new black. Despite—or, possibly, because of—its racial connotations, it’s been... Read More
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Review
Jules de Balincourt: Itinerant Ones is reviewed in The Guardian
November 19 2013 Jules de Balincourt: the Hitchcock of the painting world. By Adrian Searle. The French artist's absorbing canvases create whole worlds,... Read More -
Review
Stephen Willats reviewed in Art in America
December 28 2011 By Charles Marshall Schultz. Data collection and organization is an art form at which the British conceptualist Stephen Willats excels.... Read More -
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Udomsak Krisanamis reviewed in Art in America
August 27 2011 Udomsak Krisanamis, FREIBURG, at Kunstverein. By Mark Prince. To a culture that perceives art as a globally accessible product, transmitted... Read More
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