About the Artist
Since the late 1990s, Sarah Sze has developed a signature visual language that challenges the static nature of sculpture. Sze draws from Modernist traditions of the found object, dismantling their authority with dynamic constellations of materials that are charged with flux, transformation and fragility. Captured in this suspension, her immersive and intricate works question the value society places on objects and how objects ascribe meaning to the places and times we inhabit.
Survey: Selected Works
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Images in Debris, 2018
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Hammock (for A. Martin), 2018
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Afterimage, Blue with Fingerprint (Painting in its Archive), 2018
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Timekeeper, 2016
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Stone Series, 2013-2015
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Model Series, 2013-2015
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Calendar Series, 2013-2015
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Still Life With Desk, 2013-2015
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Triple Point (Gleaner), 2013
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Triple Point (Planetarium), 2013
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Triple Point (Observatory), 2013
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Triple Point (Pendulum), 2013
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Installation View, Victoria Miro, 2012
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Model for a Print, 2012
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Model for a Weather Vane, 2012
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Model for a Diviner, 2012
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Model for a Left Foot, 2012
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Model for a Twin, 2012
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Pendulum, 2012
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Just Now Dangled Still, 2008
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A Certain Slant, 2007
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Tilting Planet (carpet), 2006-2007
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Tilting Planet (centrepiece), 2006-2007
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Corner Plot, 2006
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The Art of Losing, 2004
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Second Means of Egress (Orange), 2004
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Everything in its Right Place, 2002
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Hidden Relief, 2001
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Hidden Relief, 2001
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Everything That Rises Must Converge, 1999
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Second Means of Egress, 1998
In Focus
Sarah Sze: How we experience time and memory through art
In this 2019 TED Talk, Sarah Sze takes us on a kaleidoscopic journey through her work: immersive installations as tall as buildings, splashed across walls, orbiting through galleries – blurring the lines between time, memory and space. Explore how we give meaning to objects in this beautiful tour of Sze's experiential, multimedia art.