Exhibitions 1998
  • Yayoi Kusama

    18 November 1998 – 8 January 1999 Victoria Miro Cork Street Most of Kusama's oeuvre can be traced back to early hallucinations she first had in her childhood of multiplying dots and nets which gradually spread to dominate her universe. These visions developed into obsessive neuroses which fuelled her paintings, sculptures and performances (during which she invariably covered her naked models...
  • Hadrian Pigott

    14 October 1998 – 13 November 1999 Victoria Miro Cork Street Hypergienics , Hadrian Pigott's first major London show since Young British Artists V at the Saatchi Gallery is a culmination of his investigation of the fetishism of domestic manias and the associated lunacy of consumer choice, the social implications of consumption, waste, fashion and taste. A set of beautiful, matching,...
  • Heads Will Roll

    14 September – 9 October 1998 Victoria Miro Cork Street Ian Hamilton Finlay, Robin Lowe, Dawn Mellor, Lars Nilson, Chris Ofili, Keir Smith
  • Ian Hamilton Finlay

    19 May – 19 June 1998 Victoria Miro Cork Street This exhibition of benches by Ian Hamilton Finlay coincides with the inauguration of a series of permanently placed sculptures – eight benches, a tree plaque and a large circular inscription of the names of trees found in Kensington Gardens – at the Serpentine Gallery in London.
  • Urban Landscapes

    Group Exhibition 22 April – 16 May 1998 Victoria Miro Cork Street Miles Coolidge, Marin Kasimir, Katia Liebmann, Steven Pippin
  • Brad Lochore

    Still Life 18 March – 17 April 1998 Victoria Miro Cork Street Continuing his investigation of the artifice of image making and the processes of visual perception, Lochore's new work marks a radical departure from the earlier computer generated shadows of window grids which recently have become more fractured and distorted, placing the viewer within a hallucinatory visual field. The paintings in...
  • Abigail Lane

    Never Never Mind 14 – 30 January 1998 Victoria Miro Cork Street Never Never Mind is an intensely lyrical work comprising a hypnotic sound component with neurotic imagery, capturing and engaging the viewer in a mesmerising moment. In past work Lane has at times explored the terrain between conceptual practice and demystification through the processes of mark-making and searching for clues, recodifying...