By Michele Robecchi
Do Ho Suh’s first solo exhibition at Victoria Miro coincides with his recent decision to relocate to London. Entitled “Passage/s,” the show reflects on the notion of home as a physical structure and platform for the exploration of issues relating to identity and our relationship to our chosen locations.
The centerpiece of the show is a sculpture made up of nine modules that Suh refers to as “Hubs” (2015–16), each of which isolates architectural elements from far-flung buildings that the artist has inhabited during his lifetime. Composed of polyester fabric sewn with gelatin tissue and discreetly supported by stainless-steel pipes, the “Hubs” in question all join to form a corridor through which visitors may traverse places in London, Seoul, Rhode Island and Berlin, all in the space of a few meters. Although extraordinarily detailed, with sockets and door handles meticulously replicated, Suh’s reconstructions are nonetheless abstract enough to maintain their spatial anonymity. Each identified by a different color, the hubs successfully conjure up metaphorical journeys to match the artist’s vision of life “as a passageway with no fixed beginnings or destinations.”
Image: Do Ho Suh, Entrance, Unit G5, Union Wharf, 23 Wenlock road, London, N1 7SB, UK, 2016. Courtesy the Artist; STPI and Victoria Miro, London.
