Idris Khan. By Zehra Jumabhoy.
This season, black is the new black. Despite—or, possibly, because of—its racial connotations, it’s been the noncolor of choice for an unusual number of recent London exhibitions, among them Indian modernist F. N. Souza’s black-on-black figurative paintings from 1965 at Grosvenor Gallery; Korean sculptor Meekyoung Shin’s “Untitled (Black Series),”...
January 2 2014
