A survey (17 March – 19 August 2018) of some 30 paintings from across the artist's career.
Through her painting, Inka Essenhigh provides an authentic voice. Since her emergence into the art world during the late 1990’s, she has created a path for herself that consistently questions and redefines her relationship with her media. She has moved from using enamel paint to traditional oils and back; creating hybrids of the two. Her substrates have included paper, canvas, and panels. Throughout each phase of experimentation, she created dialogues with her work, navigating how the media and brush interact, sometimes with genuine surprise at the result.
It is through this approach that Essenhigh’s dazzling works are borne. Her signature use of line follows her experimentation, keeping them grounded and giving them continuity. Swirls of light lead us up to a heavenly night sky. A yellow beanstalk makes a frenzied vertical climb, snagging a golden crown with blue jewel as it grows. Anthropomorphic condominiums break from their moorings. An old cemetery emerges from a hazy gloom.
Each scene is vastly different, yet they all clearly belong to Essenhigh. Her elegant line defines space, rejecting the straight and embracing the curvy, the organic. They are fantastic visions rooted in the quotidian. The narratives find inspiration from her environs. Essenhigh spends time both in New York City and rural Maine. Both settings find their way into the artist's consciousness, becoming manifest in allegory. Ghosts and gods, monsters and maenads edge their way onto her picture plane. They are the forces that shape her world. Each painting and print is a moment of distilled vision and the emotions that accompany them. The full expression of a 21st century human; hope, anxiety, and everything in between.
This exhibition presents 29 works from the range of mediums that the artist has explored. She gained early renown through her use of enamels and a process that included the use of automatic drawing to find her subject matter. Her evolution led her back into traditional oils and experiments in printmaking.
An extensively illustrated hardback monograph is published on the occasion of the exhibition.
Watch Inka Essenhigh discuss the exhibition.
Image: Inka Essenhigh, Late August, 2012