By Duncan Wooldridge
The digital image file can be an object of a newly assembled and complex truth, an artifact prone to faults and error: Beyond conventional reportage, the postdocumentary photographies of artists have increasingly addressed how a picture might contain a more sophisticated notion of testimony or even verification, while acknowledging the limits and programming of the very same processes.
Image: Stan Douglas, Mare Street, 2017 (detail)
December 12 2017
