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Frieze New York

Booth A07, 13–17 May 2026

Frieze New York

Current viewing_room

Victoria Miro is delighted to participate in Frieze New York (Booth A07) with new, recent and historical works by Milton Avery, Ali Banisadr, Hernan Bas, María Berrío, Saskia Colwell, Stan Douglas, Elmgreen & Dragset, Kudzanai-Violet Hwami, Chantal Joffe, Isaac Julien, Alice Neel, Chris Ofili, Celia Paul, Paula Rego, Emil Sands, Khalif Tahir Thompson and Barbara Walker.

  • Press release
  • Selected works

  • Many of our featured artists are enjoying significant institutional exhibitions opening at this time, including Paula Rego, whose exhibition Dance Among Thorns, on view at the Munch Museum, Oslo from late April, is the first large-scale exhibition of Rego’s work in the Nordic region. We are showing The Death of the Blind Sister, a significant work from 2007 which offers a taste of our current exhibition Story Line, the most comprehensive survey of the artist’s works on paper ever staged, on view at the gallery in London until 23 May.
  • Paula Rego, The Death of the Blind Sister, 2007

    Paula Rego, The Death of the Blind Sister, 2007

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    Artworks

    ‘It’s the little gestures that linger in my mind. A bent eyebrow. Curled fingers. The childlike twist of a toe. Even in the most disturbing works, feeling is conveyed not through terrible acts but expressions.’

    – Chloë Ashby, The Guardian
  • Paula Rego: Dance Among Thorns

    On view at the Munch Museum, Oslo
    → See more
  • Ali Banisadr’s sculpture The Alchemist, 2025, shares the title of his major survey exhibition, currently on view at the Museum of Fine Arts, St Petersburg, Florida. We will present paintings and works on paper by Hernan Bas, whose exhibition The Visitors opens at Ca’ Pesaro – International Gallery of Modern Art, Venice, in May, and a photographic work by  Isaac Julien, whose exhibition Museum Dreams, on view at gres art 671, Bergamo, is the first major retrospective in Italy dedicated to the artist’s work.
    • Hernan Bas, A spoilt pit (or that final creature), 2010
      Hernan Bas, A spoilt pit (or that final creature), 2010
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    • Hernan Bas, Memphis Living (first chair, last chair), 2014
      Hernan Bas, Memphis Living (first chair, last chair), 2014
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  • Hernan Bas: The Visitors

    On view at Ca' Pesaro – International Gallery of Modern Art, Venice
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  • Ali Banisadr, The Alchemist, 2025
    Ali Banisadr, The Alchemist, 2025
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    Artworks

    ‘… [Banisadr’s] bronze sculptures come to life out of abstract forms as a uniquely hybrid species that is in parts human, animal, and extraterrestrial. The Alchemist… is a poignant creature before an offering, perhaps, with an open-mouthed expression of horror or fury.’ 

    – Susan Harris, The Brooklyn Rail

  • Ali Banisadr: The Alchemist

    On view at Museum of Fine Arts, St. Petersburg, Florida
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  • Isaac Julien, Black Apollo diptych (Once Again... Statues Never Die), 2022
    Isaac Julien, Black Apollo diptych (Once Again... Statues Never Die), 2022
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    Artworks

    ‘Julien seems keenly aware that any encounter with the historical past is invariably a double-sided affair, with the present inevitably reinterpreting the past as much as the past might seek to guide the present.’

    – Andrew V. Uroskie, Artforum

  • Isaac Julien: Museum Dreams

     On view at gres art 671, Bergamo
    → See more

  • The survey exhibition Alice Neel: Beautifully Imperfect opens at Serralves Museum of Contemporary Art, Porto, this July. Major historical works in our presentation include Neel’s 1969 painting Linus and Ava Helen Pauling, depicting the great scientist and activist Linus Pauling, who won the Nobel Prize twice (in 1954 for chemistry and in 1962 for peace activism) and his wife, Ava Helen Pauling, a celebrated human rights activist.

  • Alice Neel, Linus and Ava Helen Pauling, 1969
    Alice Neel, Linus and Ava Helen Pauling, 1969
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    Artworks

    ‘Born on 28 January 1900, “four weeks younger than the century”, as she liked to say, Neel is perhaps the most astute and penetrating people-watcher of that tumultuous century of American history.’

    – Matthew Holman, The Art Newspaper

  • Also from that decade is Milton Avery’s Badminton, 1962, a late work characterised by Avery’s masterful economy of touch. These important paintings foreground a theme of the presentation – the enduring subject of couples and pairings and their resonance across media and through time.
     
    This is further illustrated in new and recent paintings by Celia Paul, including La Chevelure, 2026, and Tristan Und Isolde, 2025 – which New York audiences may have observed when it was featured as a banner by the Metropolitan Opera for its recent production; works from Chris Ofili’s Poolside Magic series; Chantal Joffe’s paintings Richard and Harun, 2024, and Calais at Dusk, 2025; a recent painting by Kudzanai-Violet Hwami; photographic work by Stan Douglas; and sculpture by Elmgreen & Dragset.
  • Milton Avery, Badminton, 1962
    Milton Avery, Badminton, 1962
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    Artworks

    ‘Space is airy and open, the cast list domestic and unheroic… and although without grandeur or extravagance, each living thing is imbued with a surge of optimism and individuality.’

    – Jackie Wullschläger, The Financial Times

    • Chris Ofili, Poolside Magic 5, 2012
      Chris Ofili, Poolside Magic 5, 2012
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    • Chris Ofili, Poolside Magic 16, 2013
      Chris Ofili, Poolside Magic 16, 2013
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    • Chris Ofili, Poolside Magic 17, 2013
      Chris Ofili, Poolside Magic 17, 2013
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    • Celia Paul, Two Trees and a Green Hill, 2026
      Celia Paul, Two Trees and a Green Hill, 2026
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    • Celia Paul, Kate and Me on the Yorkshire Moors, 2025
      Celia Paul, Kate and Me on the Yorkshire Moors, 2025
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    • Celia Paul, La Chevelure, 2026
      Celia Paul, La Chevelure, 2026
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    • Celia Paul, Tristan Und Isolde, 2025
      Celia Paul, Tristan Und Isolde, 2025
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    • Chantal Joffe, Richard and Harun, 2024
      Chantal Joffe, Richard and Harun, 2024
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    • Chantal Joffe, Calais at Dusk, 2025
      Chantal Joffe, Calais at Dusk, 2025
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  • Kudzanai-Violet Hwami, Mamoyo and Persephone's Final Cycle, 2025
    Kudzanai-Violet Hwami, Mamoyo and Persephone's Final Cycle, 2025
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    Artworks

    ‘Drawn from family photographs, religious iconography, and mythological narratives, Hwami’s works unravel stories across generations, moving between the unconscious and the communal, tenderness and defiance.’

    – Jamilah Rose-Roberts, Wallpaper*

  • María Berrío, Canticle of the Open Palm, 2024
    María Berrío, Canticle of the Open Palm, 2024
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    Artworks

    ‘The meticulous process by which Berrío carefully builds up images results in compositions that collate fragmented memories, identities and histories.’

    – Sofia Hallström, Frieze 

  • Khalif Tahir Thompson, Two Tairiqs, 2025
    Khalif Tahir Thompson, Two Tairiqs, 2025
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    Artworks

    New works by some of the more recent additions to the gallery roster feature strongly. Celebrating our announcement of the representation of Khalif Tahir Thompson, we will show a new painting by the Brooklyn-based artist, along with new works by Saskia Colwell and Emil Sands, who joined us in 2025.
  • Announcing representation of Khalif Tahir Thompson

    → Read more

    • Saskia Colwell, Sit on My Lap, 2026
      Saskia Colwell, Sit on My Lap, 2026
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    • Emil Sands, Huge and illustrious company, 2026
      Emil Sands, Huge and illustrious company, 2026
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  • A small presentation of works by Barbara Walker, who joined the gallery last year, features the artist’s acclaimed, ongoing series Vanishing Point, which explores the visibility of Black subjects in the Western canon through processes of drawing and embossing that invite contemplation on how history is made and unmade.
    • Barbara Walker, Vanishing Point (Nattier), 2026
      Barbara Walker, Vanishing Point (Nattier), 2026
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      %3Cspan%20class%3D%22title%22%3E%3Cspan%20class%3D%22artist%22%3EBarbara%20Walker%3Cspan%20class%3D%22artist_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22title%22%3EVanishing%20Point%20%28Nattier%29%3Cspan%20class%3D%22title_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22year%22%3E2026%3C/span%3E%3C/span%3E
    • Barbara Walker, Vanishing Point 43 (Veronese), 2023
      Barbara Walker, Vanishing Point 43 (Veronese), 2023
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      %3Cspan%20class%3D%22title%22%3E%3Cspan%20class%3D%22artist%22%3EBarbara%20Walker%3Cspan%20class%3D%22artist_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22title%22%3EVanishing%20Point%2043%20%28Veronese%29%3Cspan%20class%3D%22title_comma%22%3E%3Cspan%20class%3D%22comma%22%3E%2C%20%3C/span%3E%3C/span%3E%3C/span%3E%3Cspan%20class%3D%22year%22%3E2023%3C/span%3E%3C/span%3E
  • ‘By focusing attention on the Black characters, Walker also activates the void surrounding them. The backdrop is a testament to the distribution of power: the blanked-out area is larger than the visible elements, more reserved for the ruling classes than those outside.’

    – Lauren Dei, Frieze

  • Explore gallery exhibitions

    • Paula Rego: Story Line
      Exhibitions

      Paula Rego: Story Line

      16 April – 23 May 2026 London Gallery I , London Gallery II
      The most comprehensive exhibition of Rego’s drawings to date shines new light on the artist's evolving use of line.
    • Flora Yukhnovich: Egg
      Exhibitions

      Flora Yukhnovich: Egg

      5 May – 4 July 2026 Venice
      An exhibition of new paintings conceived in dialogue with a site-specific wall painting.
    • Shahzia Sikander: High Seas; Closed Skies
      Exhibitions

      Shahzia Sikander: High Seas; Closed Skies

      5 June – 31 July 2026 London Gallery I
      The gallery’s first exhibition by Shahzia Sikander since announcing representation of the New York-based artist, featuring her acclaimed new animation 3 to 12 Nautical Miles.
    • NS Harsha: Camel and the tent times
      Exhibitions

      NS Harsha: Camel and the tent times

      5 June – 31 July 2026 London Gallery II
      This exhibition of new paintings elaborates on the artist’s celebrated, ongoing ‘lamp grid’ series.
    • Yulia Iosilzon: Entangled Pluralism
      Exhibitions

      Yulia Iosilzon: Entangled Pluralism

      15 April – 31 May 2026 Miro Presents
      New paintings and ceramic works by Yulia Iosilzon in which figures and landscapes exist in a state of continuous transformation.

London

16 Wharf Road, London 
N1 7RW

 

+44 (0)20 7336 8109
info@victoria-miro.com

 

 

Venice

San Marco 1994
30124 Venice, Italy

 

+39 041 523 3799
info@victoria-miro.com

 

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