Artnet reports on Stan Douglas’s two-part Canada Pavilion exhibition in Venice

In a triumphant turn, Douglas looks at four distinct uprisings that were different in character but similarly driven by disenfranchisement and a sense of frustration with social systems. The acclaimed Los-Angeles and Vancouver-based artist is a key voice internationally working in image-based media, and once again, he has turned to music to peg his story, this time employing two popular genres that served as anthems for the political turbulences that rocked 2011.

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Stan Douglas ISDN (2022). Still from two-channel video installation. © Stan Douglas. Courtesy of the artist, Victoria Miro, and David Zwirner

April 21 2022