A large retrospective feels at home in the Metropolitan Museum of Art’s grandest galleries and should silence any doubt about the artist’s originality or her importance.
It is said that the future is female, and one can only hope. But it is important to remember that the past, through continuous excavation, is becoming more female all the time. The latest evidence is the gloriously relentless retrospective of Alice Neel (1900-1984), the radical realist painter of all things human, at the Metropolitan Museum of Art.
“Alice Neel: People Come First” is a momentous show of more than 100 paintings, drawings and watercolors from streetscapes, still lifes and interiors to the portraits of a veritable cross section of New Yorkers, occasionally nude, that are considered her greatest work.
Image: Alice Neel, Jackie Curtis and Ritta Redd, 1970
© The Estate of Alice Neel
