The exhibition (14 January–12 June 2020) showcases UCL Art Museum’s unique holdings of prints related to the French Revolution and draws out the contemporary relevance of revolutionary iconography in work by Ian Hamilton Finlay (1925−2006) that engages with the long-term legacy of the Terror.
Image: Ian Hamilton Finlay
Translation of a Line from Chenier: A Line of Thin Pale Red, 1989, with Julie Farthing,
Neon
15 x 140 x 8 cm
5 7/8 x 55 1/8 x 3 1/8 in
5 7/8 x 55 1/8 x 3 1/8 in
© The Estate of Ian Hamilton Finlay
Courtesy the artist's estate and Victoria Miro, London/Venice
January 6 2020
Related Exhibitions
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Ian Hamilton Finlay: Marat Assassiné Vitruvius/Augustus-Vitruvius/Robespierre Ideological Accessories
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Ian Hamilton Finlay: Works 1966–1986
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Ian Hamilton Finlay: Idylls
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Ian Hamilton Finlay: A Wartime Garden
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Ian Hamilton Finlay, with Annet Stirling – 10 Maquettes for Neo-Classical Structures
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Ian Hamilton Finlay and Pia Maria Simig
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Ian Hamilton Finlay
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Ian Hamilton Finlay
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Ian Hamilton Finlay: Idylls and Interventions
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Ian Hamilton Finlay: The Sonnet is a Sewing-Machine for the Monostich
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Ian Hamilton Finlay: Definitions
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Ian Hamilton Finlay: 1789 1794