A new work by Njideka Akunyili Crosby is unveiled at Brixton Underground station

'Remain, Thriving', unveiled on 20 September 2018, is the first commission in a new programme at Brixton station and will be on view for six months. 

 

Remain, Thriving is a new work made specifically for the entrance of Brixton Underground station. The work depicts an imagined domestic scene, a theme predominant in much of the artist’s work, of an informal gathering of grandchildren and great grandchildren of the Windrush generation in a fictional home in Brixton. The space contains a number of vestiges of an earlier generation, such as a doily or record player, which the figures might have inherited from their parents or grandparents.

 

In order to anchor her new work in Brixton, and a British diasporic experience, Akunyili Crosby spent time in the area speaking to longstanding members of the local community as well as public historian Kelly Foster, the Black Cultural Archives, and the Lambeth Archives. The artist collated contemporary and archival images of Brixton to use in her final artwork, and the transferred images in the background of Remain, Thriving echo the heavily patterned wallpaper of a previous era. Through the use of photo-collage, Akunyili Crosby’s layered images of social gatherings are also complex reflections on history, community and politics, much like the original Brixton murals. The artist creates densely layered figurative compositions that, precise in style, conjure the complexity of contemporary experience.

 

The programme at Brixton takes the numerous murals that were created in Brixton during the 1980s as an initial point of departure and invites selected artists to respond to their diverse narratives, the rapid development of the area and the wider social and political history of mural making.

 

Read more

 

Image: Njideka Akunyili Crosby, Remain, Thriving, 2018

Installation view at Brixton Underground station

© Njideka Akunyili Crosby, courtesy the artist and Victoria Miro, London/Venice

Photography: GG Archard, 2018

 

Posted 20 September 2018

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