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Alchemies: May Cockcroft, Nour Malas, Sarah Martin-Nuss

London Gallery II, 13 November 2026–23 January 2027

Alchemies: May Cockcroft, Nour Malas, Sarah Martin-Nuss

Current viewing_room

Victoria Miro is delighted to present the work of three emerging abstract painters whose distinct practices transform colour and material into evocative visual languages.

Concerned with the changing states of matter, the ancient practice of alchemy was always closely tied to artistic practice. The exhibition title, Alchemies, references this human participation in nature’s transformations, presenting three artists in whose work we see a fresh approach to material, perception and form. 

The exhibition is accompanied by three new essays: Lois Oliver on May Cockcroft; Susan Harris on Nour Malas; Natalie Prizel on Sarah Martin-Nuss.

  • Press release
  • May Cockcroft essay
  • Nour Malas essay
  • Sarah Martin-Nuss essay
  • May Cockcroft

    For May Cockcroft, a Cornish artist based in London, it is the ancient landform and rugged coastline of her native Cornwall that inspires the striking physicality of her compositions. Working with construction and fine art materials, she incorporates plaster, chalk, marble dust and charcoal into the paint, building layers and then excavating the surface. In a process that is both concealing and revealing, her paintings reference the deep alchemy of geology, evoking landscapes that shift over time, redolent of place as a site of memory. 

  • May Cockcroft, Clay Angel, 2026
    May Cockcroft, Clay Angel, 2026
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    Artworks

    ‘The works do not depict Cornwall directly, and Cockcroft never paints outdoors. Instead, they evoke something of its essential character: a landscape in perpetual flux.’

    – Lois Oliver

  • May Cockcroft, Clock Of Tides, 2026
    May Cockcroft, Clock Of Tides, 2026
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    Artworks

    ‘Cornwall is exposed to the full force of Atlantic weather systems. Sea becomes cloud, mist, rain and spray… These atmospheric changes find echoes in Cockcroft’s paintings, where translucent washes, opaque passages and shifting surfaces seem simultaneously to emerge and disappear.’

    – Lois Oliver

  • May Cockcroft, Mortar and Pestle, 2026
    May Cockcroft, Mortar and Pestle, 2026
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    Artworks

    ‘Historically, alchemy was concerned with the transformation of matter: the possibility that one substance might become another or reveal previously unseen potential. Cockcroft’s practice is similarly founded upon acts of material transmutation.’

    – Lois Oliver

  • May Cockcroft, Flying The Nest, 2026
    May Cockcroft, Flying The Nest, 2026
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    Artworks

    ‘The central paradox of Cockcroft’s work is that the paintings are fixed objects, yet they are fundamentally concerned with change. They transform materials; they re-enact geological processes; they arise from landscapes in continual flux; they emerge from memories that shift and evolve over time.’

    – Lois Oliver

  • Alchemies of Place: Lois Oliver on May Cockcroft

    → Read here

  • Nour Malas

    Nour Malas, a Syrian-Canadian artist currently living in New York, draws on personal and collective history to create emotionally charged, richly coloured canvases that collapse past and present narratives. Her practice is rooted in an intuitive and expressive approach to mark-making, building up multiple, turbulent layers of colour within which barely perceptible figures occasionally emerge from a vortex of paint. Her ostensibly abstract paintings become spaces that allow her to explore issues around identity, the extraction of memory and our perennial search for safety.

  • Nour Malas, Sentimental Melody, 2026
    Nour Malas, Sentimental Melody, 2026
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    Artworks

    ‘In Sentimental Melody, the intense physicality of Malas’s mark-making unleashes a chronicle of personal and global chaos, of love and loss.’

    – Susan Harris

  • Nour Malas, Capricious Shadow of Pious, 2026
    Nour Malas, Capricious Shadow of Pious, 2026
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    Artworks

    ‘The long-awaited return to Syria proved to be a life-defining moment for the artist who experienced a sense of belonging that she never thought she would know again. But the exhilaration of liberation was tempered by the sobering realisation of all the loss and destruction.’

    - Susan Harris

  • Nour Malas, Crystal Vision, 2026
    Nour Malas, Crystal Vision, 2026
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    Artworks

    ‘The new oil and pastel paintings exhibited in Alchemies come as an exhale between periods of agitation and letting go. Relying on nature as both a site of and respite from action, the works arrive at a place that is simultaneously an end and a rebirth.’ 

    – Susan Harris

  • Metamorphoses in Paint and Consciousness: Susan Harris on Nour Malas

    → Read here

  • Sarah Martin-Nuss 

    Sarah Martin-Nuss is a New York-based interdisciplinary artist working across painting, performance and sound. Her practice explores notions of flux, emergence and transformation, whether relating to biological systems, post-humanist philosophy or the rhythms and interconnectedness of our natural world. Working on multiple paintings at one time, Martin-Nuss builds layers of oil and pastel marks that ebb and flow across the canvas. These animated surfaces seem to shape-shift before our eyes; colours grow and intensify, only to retreat and recede like sound waves. Light appears to dissolve and dissipate forms, and with no fixed vantage point, the viewer is engulfed by these painterly visions.

  • Sarah Martin-Nuss, Giving Endlessly, 2026
    Sarah Martin-Nuss, Giving Endlessly, 2026
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    Artworks

    ‘“Entanglement” is a term by which to understand both the central questions animating Martin-Nuss’s work as well as her formal methods.’

    – Natalie Prizel

  • Sarah Martin-Nuss, The Mist of Forms, 2026
    Sarah Martin-Nuss, The Mist of Forms, 2026
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    Artworks

    ‘Martin-Nuss is a musician as well as a visual artist, and sound frequently makes its way into her exhibitions. She is particularly interested in the voice and the ways in which disparate voices might merge and diverge.’ 

    – Natalie Prizel

  • Sarah Martin-Nuss, The Gift of Visibility, 2026
    Sarah Martin-Nuss, The Gift of Visibility, 2026
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    Artworks

    ‘We are ensconced in a gentle dance, one step forward, another step back, trying to match our rhythm to the undulating gestures on the canvas.’

    – Natalie Prizel

  • Sarah Martin-Nuss, Essence Ascending, 2026
    Sarah Martin-Nuss, Essence Ascending, 2026
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    Artworks

    ‘We may linger, longing to go into the depths of the painting, into the eye created by the aperture, but we are held at bay in an attitude of wonder.’ 

    – Natalie Prizel

  • Sarah Martin-Nuss and the Art of Cleaving by Natalie Prizel

    → Read here

  • About the artists

    May Cockcroft (born 2002) completed her BA in Painting from Edinburgh College of Art in 2024 and received her MA in Painting at the Royal College of Art in 2026. Cockcroft has exhibited with The Koppel Project, London; Old Bakery Studios, Cornwall; Talbot Rice Gallery, Edinburgh; The Hockney Gallery, London; Whitespace, Edinburgh; and Edinburgh Gallery Society, Edinburgh.

    Nour Malas (born 1995) completed her BFA in Fine Art and Art History at Goldsmiths, University of London in 2017, and received her MFA in Sculpture from the School of the Art Institute of Chicago in 2022. Recent exhibitions include Patron Gallery, Chicago; Carbon 12 Gallery, Dubai; DIANA, New York; Sean Kelly Gallery, New York; and The Arts Club, London.

    Sarah Martin-Nuss (born 1992) completed her BA in Fine Art and English Literature from Austin College in 2014 and her MFA in Painting and Drawing from Pratt Institute in 2024. She studied visual arts at the Collège International de Cannes, France, and performance, sound and video art at the School of Visual Arts, New York. She has trained with the Meredith Monk Ensemble, and works extensively with the voice as a compositional and performative tool. Recent exhibitions include Pace Gallery, Los Angeles; Rachel Uffner Gallery, New York; and Prince and Wooster, New York. Collections include JP Morgan Chase Art Collection, New York; The Art Museum of South Texas, Corpus Christi; The Dallas Museum of Art, Dallas; and the North Carolina Museum of Art, Raleigh.

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