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Art Basel Miami Beach – Booth B5

3–7 December 2025

Art Basel Miami Beach – Booth B5

Current viewing_room

Victoria Miro is delighted to participate in Art Basel Miami Beach with new, recent and historical works by María Berrío, Secundino Hernández, Kudzanai-Violet Hwami, Isaac Julien, Idris Khan, Yayoi Kusama, Doron Langberg, Alice Neel, Maria Nepomuceno, Chris Ofili, Celia Paul, Conrad Shawcross, Do Ho Suh, Sarah Sze, Adriana Varejão and Flora Yukhnovich.

A focal point is Where the Lights in My Heart Go by Yayoi Kusama, the first Infinity Mirror Room by Kusama to rely solely on ambient light to create an experience of entering an expansive cosmos. This major work is accompanied by further works by the artist, including iconic Infinity Net paintings. 

Themes of mirroring, reflection and repetition are further explored across the presentation: in new and recent works by Isaac Julien, Idris Khan, Maria Nepomuceno, Conrad Shawcross and Do Ho Suh, among others; and in the broader practices of artists who alight upon significant motifs over time – such as a grouping of seascapes by Celia Paul.

Further highlights include new paintings by Adriana Varejão and Flora Yukhnovich.

Among historical works on view are Alice Neel's Richard, a compelling painting of the artist's elder son, completed in 1980, and a significant painting by Chris Ofili, completed in 1995. 

  • Press release
  • Yayoi Kusama

  • Yayoi Kusama, Where the Lights in My Heart Go, 2016
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    Yayoi Kusama, Where the Lights in My Heart Go, 2016
    Installation view, Victoria Miro's waterside garden, London
  • In Focus

    Yayoi Kusama, Where the Lights in My Heart Go

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  • Yayoi Kusama, INFINITY-NETS (TAUZT), 2019
    Yayoi Kusama, INFINITY-NETS (TAUZT), 2019
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    Artworks

    ‘My art has always expressed the strong universal desire of humanity to experience the beauty of life and the marvellous mystery of the universe.’

    – Yayoi Kusama
  • Alice Neel

    Alice Neel, Richard, 1980
    Alice Neel, Richard, 1980
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    ‘The bright white light that falls from above directly on to his face and chest, the Mediterranean blue polo shirt and the stripey seat back, are all evocative of the positive mood that pervades Neel’s magnificent image of Richard… all around his form she paints a bright blue outline, like an electric blue current, containing him, protecting him, emphasising his presence in the world.’

    – Dr Minna Moore Ede, quoted from the publication Alice Neel: There's Still Another I See, 2022  

  • Chris Ofili

    Chris Ofili, Homage, 1995
    Chris Ofili, Homage, 1995
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    ‘Following Ofili’s visit to Africa [in 1992], he produced his first paintings which incorporated the dung balls. They were principally experiments in something between a destruction of and a distraction from an increasingly polite and dangerously unfashionable decorative painting style…’

    – Godfrey Worsdale, quoted from the catalogue for the exhibition Chris Ofili, organised by Southampton City Art Gallery and Serpentine Gallery, London, 1998

  • Flora Yukhnovich

    Flora Yukhnovich, Leda and the Swan, 2025
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    Flora Yukhnovich, Leda and the Swan, 2025

    ‘The idea of seeing something that you immediately recognise, but then you lose your footing continually – that’s what I want to play with.’

    – Flora Yukhnovich

  • María Berrío

    María Berrío, Clouded Infinity, 2020
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    María Berrío, Clouded Infinity, 2020

    ‘Clouded Infinity began with the idea of life cycles… This work is very much about the flowering of hope amidst sadness and grief.’

    – María Berrío

  • Adriana Varejão

    Adriana Varejão, Green Sun, 2025
    Adriana Varejão, Green Sun, 2025
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    Artworks

    ‘My fiction does not belong to any time or place, instead it is characterised by themes dealing with rupture and discontinuity.’

    - Adriana Varejão
  • Sarah Sze

    • Sarah Sze, Cyan Stone, 2013-2015
      Sarah Sze, Cyan Stone, 2013-2015
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    • Sarah Sze, Magenta Stone, 2013-2015
      Sarah Sze, Magenta Stone, 2013-2015
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  • ‘I think of the entirety of an artist’s body of work as one work. Each individual artwork is a window into a chain of ongoing decisions. It’s the space in between those works that is fertile and feeds the evolution of the work.’ 

    – Sarah Sze

  • Celia Paul

    • Celia Paul, Gulls Flying over the Sea, 2024
      Celia Paul, Gulls Flying over the Sea, 2024
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    • Celia Paul, New Day, 2021
      Celia Paul, New Day, 2021
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    • Celia Paul, Sea, Sun Rising, 2021
      Celia Paul, Sea, Sun Rising, 2021
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    • Celia Paul, Sky and Sea, 2017
      Celia Paul, Sky and Sea, 2017
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  • ‘Looking at Celia’s images of water – which is to say time shifting – is to recall Walter Sickert’s writing on the subject of nature, that at its best: “fragments of nature at her strangest and loveliest, seen and seduced with the eye of a poet, and executed with the brush of a master, is what we respond to”.’

    – Hilton Als, quoted from the monograph Celia Paul: Works 1975–2025, published by MACK, 2025

     

  • Kudzanai-Violet Hwami

    Kudzanai-Violet Hwami, The Breasts I Fed On (i), 2017
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    Kudzanai-Violet Hwami, The Breasts I Fed On (i), 2017

    ‘I believe that each person we encounter embodies their own collapsing past and present, like a universe that contains many others.’

    – Kudzanai-Violet Hwami

  • Doron Langberg

    Doron Langberg, Scott, 2024
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    Doron Langberg, Scott, 2024
  • Idris Khan

    Idris Khan, After the Two Dancers, 2025
    Idris Khan, After the Two Dancers, 2025
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    Artworks

    ‘This work is built through repetition, not just of form but of thought, where meaning is gently worn away and something quieter, more essen­tial, begins to emerge.’

    - Idris Khan⁠

  • Isaac Julien

    Isaac Julien, Cosmic Narcissus (All That Changes You. Metamorphosis), 2025
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    Isaac Julien, Cosmic Narcissus (All That Changes You. Metamorphosis), 2025
  • Conrad Shawcross

    Conrad Shawcross, Fracture (R14S29) - Study for Enwrought Light, 2022
    Conrad Shawcross, Fracture (R14S29) - Study for Enwrought Light, 2022
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    Artworks

    ‘These works at first appear almost like a scientific model, like an amino acid or a piece of DNA or a protein. Yet there is a sense of time to these works, of entropy, of growth, of expansion, of things moving forward.’

    – Conrad Shawcross

  • Secundino Hernández

    Secundino Hernández, South of the border, 2022
    Secundino Hernández, South of the border, 2022
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    Artworks

    ‘The excess of a painter’s palette yields a refined composition that feels at once restrained and wildly alive as gesture, line and colour unite in harmonious compositions.’

    - Wells Fray-Smith, quoted from the publication Secundino Hernández: time TIME, 2022

     
     
  • Do Ho Suh

    Do Ho Suh, Spectators, 2023
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    Artworks

    ‘Drawing is very bound up in breathing and chanting practices for me.’

    - Do Ho Suh

    • Do Ho Suh, ScaledBehaviour_drawing(HomeWithinHome_isometric_G_01), 2025
      Do Ho Suh, ScaledBehaviour_drawing(HomeWithinHome_isometric_G_01), 2025
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    • Do Ho Suh, ScaledBehaviour_painting(HomeWithinHome_elevation_A_01), 2025
      Do Ho Suh, ScaledBehaviour_painting(HomeWithinHome_elevation_A_01), 2025
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    • Do Ho Suh, ScaledBehaviour_painting(HomeWithinHome_elevation_B_01), 2025
      Do Ho Suh, ScaledBehaviour_painting(HomeWithinHome_elevation_B_01), 2025
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  • Maria Nepomuceno

    • Maria Nepomuceno, Giudecca - Gigoia, 2024
      Maria Nepomuceno, Giudecca - Gigoia, 2024
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    • Maria Nepomuceno, Lido - Leme, 2024
      Maria Nepomuceno, Lido - Leme, 2024
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  • ‘Nepomuceno portrays rope as both line and umbilical cord, with each bead symbolising a potential beginning that carries the duplication of potentially endless multiplication.’ 

    – Eugenio Viola, Artistic Director, Bogotá Museum of Modern Art, quoted from the publication Maria Nepomuceno: Expiro, 2024
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      Chantal Joffe: I Remember

      14 November 2025 – 17 January 2026 London Gallery I
      The exhibition takes its title from Joe Brainard’s iconic memoir and is inspired by the late American writer’s poetic prompts that evoke the atmosphere and time of memories. Joffe’s paintings...
    • The Stories We Tell: Tidawhitney Lek, Emil Sands, Khalif Tahir Thompson
      Exhibitions

      The Stories We Tell: Tidawhitney Lek, Emil Sands, Khalif Tahir Thompson

      14 November 2025 – 17 January 2026 London Gallery II, Miro Presents
      The first significant introduction of three emerging artists, all born in the 1990s, to a London audience.
    • Richard Ayodeji Ikhide: Incroci del Passato (Crossroads of the Past)
      Exhibitions

      Richard Ayodeji Ikhide: Incroci del Passato (Crossroads of the Past)

      1 November – 13 December 2025 Miro Presents, Venice
      An exhibition of new tempera paintings Ikhide began during a residency with the gallery in Venice in spring 2025. Working in egg tempera on panel for the first time, he...
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