Victoria Miro is delighted to participate in Art Basel Miami Beach with new, recent and historical works by María Berrío, Secundino Hernández, Kudzanai-Violet Hwami, Isaac Julien, Idris Khan, Yayoi Kusama, Doron Langberg, Alice Neel, Maria Nepomuceno, Chris Ofili, Celia Paul, Conrad Shawcross, Do Ho Suh, Sarah Sze, Adriana Varejão and Flora Yukhnovich.
A focal point is Where the Lights in My Heart Go by Yayoi Kusama, the first Infinity Mirror Room by Kusama to rely solely on ambient light to create an experience of entering an expansive cosmos.
Themes of mirroring, reflection and repetition are further explored across the presentation: in new and recent works by Isaac Julien, Idris Khan, Maria Nepomuceno, Conrad Shawcross and Do Ho Suh, among others; and in the broader practices of artists who alight upon significant motifs over time – such as a grouping of seascapes by Celia Paul.
Further highlights include new paintings by Adriana Varejão and Flora Yukhnovich.
Among historical works on view are Alice Neel's Richard, a compelling painting of the artist's elder son, completed in 1980, and a significant painting by Chris Ofili, completed in 1995.
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Yayoi Kusama
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Yayoi Kusama, Where the Lights in My Heart Go, 2016Installation view, Victoria Miro's waterside garden, London
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In Focus
Yayoi Kusama, Where the Lights in My Heart Go
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Alice Neel
Alice Neel, Richard, 1980 -
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Chris Ofili
Chris Ofili, Homage, 1995 -
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Flora Yukhnovich
Flora Yukhnovich, Leda and the Swan, 2025
‘The idea of seeing something that you immediately recognise, but then you lose your footing continually – that’s what I want to play with.’
– Flora Yukhnovich
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María Berrío
María Berrío, Clouded Infinity, 2020
‘Clouded Infinity began with the idea of life cycles… This work is very much about the flowering of hope amidst sadness and grief.’
– María Berrío
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Adriana Varejão
Adriana Varejão, Green Sun, 2025 -
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Sarah Sze
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‘I think of the entirety of an artist’s body of work as one work. Each individual artwork is a window into a chain of ongoing decisions. It’s the space in between those works that is fertile and feeds the evolution of the work.’
– Sarah Sze
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Celia Paul
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‘Looking at Celia’s images of water – which is to say time shifting – is to recall Walter Sickert’s writing on the subject of nature, that at its best: “fragments of nature at her strangest and loveliest, seen and seduced with the eye of a poet, and executed with the brush of a master, is what we respond to”.’
– Hilton Als, quoted from the monograph Celia Paul: Works 1975–2025, published by MACK, 2025 -
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Kudzanai-Violet Hwami
Kudzanai-Violet Hwami, The Breasts I Fed On (i), 2017‘I believe that each person we encounter embodies their own collapsing past and present, like a universe that contains many others.’
– Kudzanai-Violet Hwami
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Doron Langberg
Doron Langberg, Scott, 2024 -
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Idris Khan
Idris Khan, After the Two Dancers, 2025 -
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Isaac Julien
Isaac Julien, Cosmic Narcissus (All That Changes You. Metamorphosis), 2025 -
Conrad Shawcross
Conrad Shawcross, Fracture (R14S29) - Study for Enwrought Light, 2022 -
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Secundino Hernández
Secundino Hernández, South of the border, 2022 -
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Do Ho Suh
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Maria Nepomuceno
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‘Nepomuceno portrays rope as both line and umbilical cord, with each bead symbolising a potential beginning that carries the duplication of potentially endless multiplication.’
– Eugenio Viola, Artistic Director, Bogotá Museum of Modern Art, quoted from the publication Maria Nepomuceno: Expiro, 2024 -
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Explore gallery exhibitions
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Chantal Joffe: I Remember
14 November 2025 – 17 January 2026 London Gallery IThe exhibition takes its title from Joe Brainard’s iconic memoir and is inspired by the late American writer’s poetic prompts that evoke the atmosphere and time of memories. Joffe’s paintings... -
The Stories We Tell: Tidawhitney Lek, Emil Sands, Khalif Tahir Thompson
14 November 2025 – 17 January 2026 London Gallery II, Miro PresentsThe first significant introduction of three emerging artists, all born in the 1990s, to a London audience.
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